The GH6 is the most recent in Panasonic’s video-centric line of cameras for the Micro Four Thirds system, dating back to the original GH1 in 2009. There’s 5.7K video at 60fps and Apple ProRes 422 HQ recording, 7.5 stops of in-body image stabilization, 4-channel XLR audio recording and a monitor that can be tilted in almost any direction. With the MOV/H.265 modes, more flexibility is made available, but some caveats still exist.